Beethoven’s Ninth Symphony:

“[The soloists] formed an admirable quartet that navigated the difficult vocal lines with admirable ease.”
Sarasota Herald-Tribune

“Meagan Miller delivered some of the evening’s most ravishing counterpoint.”
Rochester Democrat and Chronicle

“[Meagan Miller] was unfazed by the high-lying difficulties here posed”
The Los Angeles Times

Bruckner Mass in f-minor:

“The Mass went better …as a result of the strong work from the Concert Chorale of New York and the soloists. They made the point about Bruckner’s complexity in their different attributes: Meagan Miller’s adamant flame…”
The New York Times

Beethoven’s Missa Solemnis:

“Soprano Meagan Miller rose effortlessly to a high B, hitting it squarely on pitch in the Sanctus.”
The Minneapolis Star Tribune

Metropolitan Opera National Grand Finals:

“Meagan Miller, also a soprano, chose a tough nut in ‘Martern aller Arten’ from Die Entführung’ and chose to do it her own way, with moments of staccato phrasing that proved her agility, thrust and command of intonation. Her voice is strong and brilliant. It can be forceful, as in the Mozart, or touching, as in a number from ‘Susannah.’”
The New York Times

L’Opera de Montreal Gala:

“Meagan Miller, the American novice lately seen in La Bohème, brought a softer but agreeably focused voice to Dove sono from Mozart’s Marriage of Figaro.”
The Montreal Gazette

“It was an evening dominated by sopranos, notably Meagan Miller in Mozart”
Montreal La Presse

Merola Opera Grand Finale:

"An Arabella excerpt, with the remarkably talented Meagan Miller in the title role. The 24-year-old soprano from Pennsylvania sang an Arabella that was superior to many a "post-apprentice" performance I have heard."
San Francisco Classical Voice

Annapolis Opera Gala:

“Prima donna status might be accorded soprano Meagan Miller, who dazzled the audience in an exquisite ‘Depuis le jour’ from Gustav Charpentier’s ‘Louise,’ delivering a seemingly effortless interpretation. Miller seems capable of holding notes indefinitely, her large voice filling the hall, while barely testing her vocal reserves. She moved easily from Charpentier’s aria to a stunning Jewel Song.”
The Baltimore Sun

“[Meagan Miller] sang the ‘jewel song’ from ‘Faust’ with great beauty and delicacy. Later, in the quartet from ‘La Boheme’ and the sextets, her voice could be heard soaring gloriously above the orchestra.”
The Annapolis Capital

Mozart’s Exsultate, jubilate:

“Soprano Meagan Miller did a rendition of Mozart’s ‘Exsultate, jubilate’ that was impeccable.”
The Kennet Paper